Thursday, 6 October 2011

Cardigan triangle art day







Some pics from an art day I did recently in Leeds
Katherine


Thursday, 18 August 2011

FEVA festival

Hi everyone, Katherine here, just to let you know I've got some prints in 'Out of Work' exhibition which is part of FEVA in Knaresborough. It's on for the next three days at St John's church, see info here http://feva.info/programme/view/out-of-work

Katherine
my prints (6 standing frames and 2 on wall)
makiko hastings' lovely ceramics
shaeron caton-rose hanging
the church


Monday, 4 April 2011

National trust art event 7th april

Hi all, apologies for lack of posts...
Just to let everyone know we have a stall at the National Trust Cafe 'York's Got Talent' event on Goodramgate in York on Thursday evening 6-8pm. Do come and join us, there will be tea and cake available too so it's worth coming just for them!
Katherine

Friday, 11 February 2011

Exhibition end

Unfortunately the time came to take the exhibition down, but it had a good run and we got a few sales and some positive feedback so we're pretty happy!
We're now coming up with our next plans of action so watch this space...

Monday, 27 September 2010

Exhibition Up!

The exhibition at Beningbrough has been up and running 10 days now, getting some good feedback, and a lot of people saw it over the weekend when visiting the 'Big Green Festival' we had on so all good!
K

Sunday, 12 September 2010

Beningbrough Exhibition

The time is nearly here, we hang our exhibition at Beningbrough Hall & Gardens this Thursday, just in time for the Food & Craft Weekend on the 25th and 26th September! It will be be free entry for all on this weekend too so come see our lovely Beningbrough inspired artwork as well as a lot of other crafty peoples things, and some lovely local food suppliers. 
Beningbrough is located in Shipton-by-Beningbrough off the A19 from York and is open 11-5pm Saturday-Wednesday. You'll find our exhibition in the stairwell between the shop and learning centre.
Katherine

Friday, 6 August 2010

Beningbrough pics

Finally sorting out my photos from Beningbrough, a lovely day out all round - bike riding, tree climbing, picnic, sunshine and artyness!
K x







Thursday, 15 July 2010

Working towards new exhibition at Beningbrough Hall

We have started an exciting new project working with Beningbrough Hall towards an exhibition at the learning center. There are lots of lovely ideas being generated and the opportunity to do some work on site. Already we have taken a long leisurely bike ride up there, taking photos and bouncing ideas around all the way - what a fantastic way to work!

We haven't confirmed any dates yet, it's all very much in the early stages, but we are in the unique position of being able to do pretty much anything we want, and really want to make the most of it...





Thursday, 1 April 2010

Yorks Got Talent - Community Arts project at the National Trust Cafe





There's a really nice broad range of work at these events, held once a month at the National Trust Cafe on Goodramgate, York. Here's a couple of photos from past events....
Rach x

Exhibition at the City Screen











City Screen exhibition, from 19th March until 19th April.
Here's a few photos I took whilst we were putting it all together :)


Rach x

A few more pics from Whitby...

Oh look, the sea!

Ruling over his town...






......caption competition anyone?


Rach x

Monday, 15 March 2010

Whitby Trip




Taken on our recent outing to Whitby, more to come from Rachael...
Katherine xx

Wednesday, 27 January 2010

Collaboration with Anart Theatre


A classic fairytale retold with platforms and hoodies. The royal family are rather odd and the fairies are not as nice as they look. What is poor Sleeping Beauty to do? (Disco, of course...)


Hidden Tentacle Arts has indeed been busy (and, well... hidden) with a collaborative project with Anart Theatre. Rehearsals began in September and soon took on a life of its' own with a unique viewpoint and a carefree sense of humour.

This piece was devised by an integrated cast of people with learning disabilities and people without and performed at City Screen Basement Bar in York on December 13th and was a roaring success.

Hidden Tentacle Arts contributed to the production in several ways, including the building of a six foot castle turret and the making of some truly odd costumes.

Costume Design:
Nat Ellis
Emilie Topp
Set Design Team:
Katherine Mayger
Amy Clevan
Emilie Topp
Nat Ellis
Artistic Director:
Nat Ellis
Producer:
Emilie Topp
Cast Members:
Nat Ellis
Emilie Topp

for more information visit www.anarttheatre.weebly.com

Friday, 6 November 2009

Art Competition Results

Well what an interesting night it turned out to be! We had a wide range of responses from lots of different people, and a good night was had all round.

Congratulations to competition winner Helen Arthurs for her beautifully perceptive illustrative narrative of the poem, soon to be displayed in Artfulness.

Congratulations also to joint runners up Ira Lightman for his inspired miniature installation - displayed at Pulse, and Rachael Carr for her intriguing and mysterious oil painting, also displayed at Pulse.

Thank you to everyone who took part and came to Pulse on Sunday night, and also thank you to Amie Antonyak and Chalky for taking up the very difficult position of a competition judge. And a very big thank you to Paul from Pulse for giving us the venue, and making it a very successful night.

I hope to put up some pictures of the competition entries soon, so watch this space!

In the meantime, check out this song by Tim Pheby who very cleverly wrote the words of the poem into a song: http://www.myspace.com/timpheby

Monday, 2 November 2009

Art Competition




Hi everyone,

Here are some photos I took at the unveiling last night:



Katherine






Thursday, 17 September 2009

Art Competition

We are excited to announce our Open Art Competition, open to anyone, anywhere with any artistic medium.

Entry is free, so if anyone is interested, please drop me a line.

The competition is based on the following lovely poem:

maggie and milly and molly and may

by E. E. Cummings

maggie and milly and molly and may
went down to the beach (to play one day)

and maggie discovered a shell that sang
so sweetly she couldn't remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose (like a you or a me)
it's always ourselves we find in the sea



Huge thank you to York Cameramart for donating lots of lovely goodies to our cause, and huge thank you to Laura for helping me with the posters and thank you in advance to the rest of the team who will be helping me blitz the country with posters.

closing date is 31st October, so get creating!

Friday, 28 August 2009


So Nat and myself ventured out into West Yorkshire this week to have a gander at some galleries and pick up some cheap craft materials. It was a shame not more people could make it but hopefully we’ll get over there again at some point!

We started off in Leeds, and sadly the main Gallery was closed, but we had a look around the Craft Centre and Design Gallery in which there were some very impressive etchings and pieces of jewellery such as the piece above by Susie Perring, here’s a link to the website…

http://www.craftcentreleeds.co.uk/

We then headed over to Dewsbury and met up with the curator from Options Create, an arts community Centre, set up by the fusing of P.H.A.B charity (physically handicapped and able bodied) and Serendipity Arts to create a space for art activities for the community – very similar to Space 109 in York. We chatted about what the Hidden Tentacle are wanting to achieve as a collective, and are hoping to support one another in the future – possibly by collaborating with workshops, or putting forward work to display in the centre. Here’s a link to their website:

http://dev.webequip.co.uk/cmsoptionscreate/default.asp

Then we took a bus to Huddersfield and had a look around a gallery there in which there were some pieces of interest – some vibrant textile pieces and a couple of landscape paintings that we appreciated, however there were quite a lot of contemporary pieces of work that we found a bit inaccessible, amplified by the jargon used in the paragraphs alongside the pieces trying to outline the artists intentions. That aside, it was definitely worth a visit!

So overall, a really good day! If we get the chance to go over again it would be good to get to the Holmfirth Postcard Museum Graham mentioned, and perhaps the Dean Clough gallery in Halifax which always has a good selection of exhibitions on…

http://www.deanclough.com/arts/index.asp

Friday, 21 August 2009


Banksy vs the Bristol Museum

Benji Corless

Banksy is an artist that needs no introduction. If you do need that introduction, perhaps you should try google or wikipedia and if not knowing what those two sites are is the problem, perhaps continue reading on. A two-minute search will summon perhaps the largest photographic collection of his work that one could imagine. Street artist and Culture jammer, Banksy’s work now has to be the most readily available of its kind in the world, thanks to this exhibition. My mum even wants his prints.

 

The exhibition is Banksy’s ‘invasion’ of the Bristol Museum, an artistic pilgrimage to his creative upbringing. Here the public queues for two hours, desperate to clamber inside. The whole of Bristol has come out for the event, even the Oxfam bookshop is selling stickers and books trying to bleed off his success. Sorry delete that last sentence, I meant to say ‘trying to celebrate his success’. The museum has allowed Banksy to create an epic gallery of his work from the last ten years, filling rooms, altering existing exhibits and replacing statues with quirky replicas. The exhibition is a great stunt of advertising, allowing the artist to demonstrate his achievements to the masses whilst helping the museum to become less like a morgue without the interesting corpses kicking around.

 

Although the rooms dedicated to his work are clearly what require reviewing, it’s the rest of the museum that’s far more thought provoking. The upstairs of the museum remains largely untouched, save for a few carefully placed canvasses and alterations to existing pieces. One can wander the stuffed animals, the Japanese porcelain and the local artists rooms but the careful observer can find some hidden wit amongst the boredom. Some will be content with the wheel clamped gyspy caravan or the painterly renaissance images filled with flying saucers. Although some pieces display excellent attention to detail, they appear like ‘easy’ creations, perhaps akin to a schoolboy adding a moustache to a text book.

 

Occasionally one sees the true genius. The dildo amongst the stalactites, the pokemon cards with the Japanese paraphernalia or the price tag on the Egyptian sarcophagus. These gems aren’t the pieces that everyone photographs nor are they noticed as art. I felt cheered to have discovered them amongst the tat just as I would have at school with the textbooks, and that’s what makes them special. Perhaps these pieces aren’t clever or intelligent, but instead they take an intelligent search to find them. But what else do these hidden pieces mean? They show the joyful Banksy, the one who tries to encourage the public to look further, and to experience the world around us. They appear odd in places, almost indistinguishable from the previous exhibits. They draw the ludicrous from realty and help push it further. Personally I have no idea what the museum was like before the exhibition and in that respect, they certainly have got people through their cobwebbed doors, but it also helped me to actually look at the exhibits, hoping to find something special. Yet the best pieces are often those not attached to the Banksy exhibition, the ones tht Banksys additions hide between; monkey’s anus pointed at us, or the children’s images of Dragons in the Japanese section.

 

With the previous example in mind, we shall now talk about the rest of the exhibition. Thousands of people with cameras. In a way, that’s what the exhibition became to me at points. One often had the feeling that you were being led around the incredible cavern of images by portable strobe lights. Most of the stencils were previously seen works, presented in full with cut chunks of wall or replicated on giant canvases. Here we can see the real artistry, the intricate lines, and the attention to fine details, the lack of drips. A portion of the main room was filled with a caged area, a recreation of his work space, filled with ideas, sketches, and used stencils. The room was a cartoonised representation of his mind, keeping his real self amorphous and interesting yet helping to convey his youthful aesthetic. Over the room plays a tape of a radio interview about Banksy as an artist/vandal. Played over the installation, one clearly has to see the man as a rapscallion, doodling in school and not meaning any harm, indeed if his works meant anything, they clearly meant to show us that he wanted us to be awakened from our own hazy school dream bubbles.

 

The main atrium was filled with his New York animatronic pieces. Robotized hotdogs, fur coats and chicken dippers, all appear locked in a forlorn pet shop prison.  Simple movements flop them to-and-fro, giving the puppets just enough to trick the viewer. Flashing cameras and smiling tourists aside, the pieces were scary, downbeat and moving. Banksy wants to convey a message with his work, one that he wants accessible to all. Perhaps most only saw the fame in that room but I personally felt an eerie urge for vegetarianism.

 

I could go on for hours about specific pieces and things that I saw. If you want to know more I’m sure the internet has it all catalogued somewhere and the gallery is free until late august. To close, I thought I would discuss a few things kicking around my head as I wandered the museum floor. Banksy’s work was once looked at for being silently on the nose and hitting political points in a very simple manner, hence the stencils. They gained him popularity and allowed him to create much larger and more important work such as the animatronics that I previously mentioned, but now he is infamous. He was underground, he was street and he was anonymous and he still is all those things. Or is he? The success of hs work is no bad thing and he has become a pop culture icon, yet can he still produce the same hard hitting pieces when his work is sold at auction for millions? Can he still hit home in the same way now that people fight for photographs of something that we can all go see for free? His work feels less important now he has broken into the art scene but his goal is clearly to make art accessible, shown through the lack of entrance fee and his causal donning of art on public walls. However, his struggle to make art less stuffy seems to go over many people’s heads. I admire him for wanting to make it accessible and evocative and I feel it’s a shame that so many people are too blinded by their camera phones in their faces to see that something’s going on.



Banksy’s group knows what they are doing. By pumping out the cheap shots at the government or defiling incredible paintings they keeps his profits rising, but you only need to look at the incredible masterwork in his ‘apes in parliament’ image above to see that he is putting his money back into his craft. But can he do anything wrong? Praises will arrive one way or another from both sides but until then, I’ll have to keep pushing past the teenagers with iphones rapping about how clever he is, at least until he does something the morons in the Oxfam bookshop hate.




Hidden Tentacle Website!

Well I have been working really hard to make a website these last few weeks, it isn't entirely finished, but it's worth checking out so do go and take a gander - the link is on the list opposite.

Enjoy!

Tuesday, 18 August 2009

Hidden Tentacle Taking over West Yorkshire!

We are now planning a trip to the Options Create Center in Dewsbury on Wednesday the 26th August because it looks interesting and a useful contact to have.

Then we thought, while we're in the region, if we get a cheap day ticket for the bus, we can go all over that region, so why not go and look at some galleries in Leeds and Huddersfield as well?

Graham wanted to see the Postcard Museum in Huddersfield, and since that is where I come from, why not go there too?!

Watch this space to read about how our mini-adventure goes!